And yet, it’s all just not quite as much as the other movies of the year. And the main characters are young and charming. It has a fair amount of luxury, imported clothes and fancy houses and big dance numbers.
Mujhse dosti karoge movie professional#
The filmmaking is high quality, good camera work, all that professional international style directing. And Saathiya gave the audience the really-real kind of romance, between two characters who felt lived in, that they had been missing since DDLJ.Īnd then there’s this movie. Devdas gave us the over the top luxury and fantasy version of India that the diaspora and non-desi overseas audience was craving after getting their a taste of it in K3G and others.
Company gave us the international style filmmaking that first came to India through the efforts of rom-com directors to make a global reach in the 1990s. These movies took the seeds planted by films like Mujshe Dosti Karoge and brought them to fruition. This was the year Company came out, and Devdas, and Saathiya. I think because it was just a little too melodramatic, and at the same time not dramatic enough, for the 2000s. It seemingly fits the hit formula (Stars + Songs = Hit), great songs, great cast, the kind of family-romance plot that ruled the 90s, and the Yash Raj glitz behind it.
This is one of those movies that is fascinating to think about in terms of why it WASN’T a hit.
Mujhse dosti karoge movie movie#
Which Hrithik do you prefer, sweetly stupid or kind of crazed and manic? This movie has both!
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